"No Lawyers In Heaven" comes from the pens of Paul Craft and Billy Edd Wheeler. It was later recorded by Bluegrass singer, Charlie Sizemore, and it became a big award winning hit for him...but Ray was the first artist, as far as I know, to record the song. When Ear Candy was partially re-issued in 2002 by Curb Records as Osama Yo' Mama: The Album one of the two songs from Ear Candy that was omitted happened to be "No Lawyers In Heaven"...and so, chances are, only us fans are aware of Ray's recording of the song...but all this changes starting now. "No Lawyers In Heaven", as recorded by Ray Stevens, is now going to be shared on this blog entry which will soon make it's way to social media where I'll share it there, too...
Showing posts with label No Lawyers in Heaven. Show all posts
Showing posts with label No Lawyers in Heaven. Show all posts
May 23, 2022
Ray Stevens: YouTube Audio Tracks...
Hello Ray Stevens fans!! Curb Records, quietly, uploaded audio tracks onto YouTube on May 19th from some of Ray's albums in the 2000's. Specific Ray Stevens albums have been represented on all kinds of websites over the decades and some of the audio tracks are readily available on YouTube if you do a search for them. Sometimes an entire album is available to listen to and sometimes there are only a handful of songs available from an album to listen to. Curb Records uploaded the audio tracks from Ear Candy (2000); Hurricane (2007); and We The People (2010). Several other Ray Stevens fans that I frequently keep in contact with have always mentioned that a recording he did in 2000, "No Lawyers In Heaven", has never appeared on YouTube. Ray recorded an album in 2000 titled Ear Candy, which you see off to the right, and it was released on his own label, Clyde Records. This comedy album was a follow-up to his 1997 album, Christmas Through a Different Window, on MCA. Ear Candy was never released to retail stores (Clyde Records didn't have retail distribution) and I don't think it was available on Amazon, which was 5 years old at the time, and hadn't been in the Music shipping business too long after starting out as an online bookstore. I've looked over on Amazon and they do have this album listed as having been available at one time as a CD and they have it listed as an Mp3 digital download as well. The one thing that will confuse consumers at Amazon and listeners on YouTube is Ear Candy is listed as 2000 Curb Records...which is an error. Clyde Records released this in 2000. It also states that the album was released on January 1, 2000 (New Year's Day) and we all know that's an error. Ray Stevens has never issued an album on any holiday...let alone New Year's!
Labels:
2000,
2008,
2010,
2022,
comedy songs,
No Lawyers in Heaven,
novelty songs,
ray stevens,
YouTube
December 3, 2012
Ray Stevens: Golden LP Series, Part 32...
Studio LP 32 came along in 2000 on Ray's own label, Clyde Records. As many of Ray's fans are well aware, his audio output had slowed down as his home video releases increased. Ear Candy, the name of the 2000 project, is a quaint 10 song offering. The image doesn't pick up the details of the cover photo too well but there's a giant candy cane sticking through one ear and protruding out the other. Now, of course, it's a photo trick but it rates up there with other visually memorable photo pics through the years. The title refers to the derogatory term applied to music that's sweet, non-threatening, and suitable for practically any age. This particular studio album didn't receive a lot of publicity considering his home video release of Funniest Video Characters around the same time period was attracting more advertisements. No matter...most of the songs on this 2000 Ear Candy release would achieve much more attention a few years later when Ray signed a deal with Curb Records, the label he recorded for during most of the 1990's. As mentioned, there are 10 songs on here. Ray co-wrote, with Glenn Fortner, a song titled "Deerslayer". This song would later become a music video experiment but the plot deals with a guy who hits a deer. He pulls the deer into his car and that's when all the chaos happens. It features a catchy hook line within the chorus with frequent pleas for 9-1-1 assistance. Buddy Kalb contributed most of the other songs. He and his wife wrote "The Hustler", a ballad that tells the story of a young pool player attempting to defeat a legendary pool hustler. The song, as I later found out, dates back to the mid '80s and was originally recorded by the late Mel McDaniel. It's anyone's guess why Ray didn't record the song the first time around but at that point in time he was concentrating on filling his albums almost exclusively with humorous songs. "The Hustler" and "Safe at Home" were the two non-comical ballads of the project. "Safe at Home" has a patriotic and nostalgic flavor and it made it's debut on this 2000 project. It's a song that Ray inserted into his concerts almost 3 years ago.
The contemporary habit of talking on cell phones while driving is the subject of "Hang Up and Drive". By now that habit's increased to texting while driving and doing all kinds of other things with cell phones while driving. This song was also turned into a music video experiment. The experiment I refer to was a series of music video productions that featured live action Ray singing in front of limited animation backgrounds. The project kicks off with the Cajun flavored uptempo recording of "Bon Temps Routlette". In this song we hear a wild story of casino inhabitants and a sub-plot centered around adultery and the wealthy. In "The Dog Song" Ray sings a song from a dog's point of view. A couple has broken up and the dog sets the man aside and tells him all the things he should have done to keep the woman there. "King of Christmas" is a comical story of what may happen if Elvis were Santa Claus. One of the songs that uses a lot of satirical nuance is "The Lady on the Radio". In this performance Ray sings about being embarrassed that his wife called in a love advice radio program and told the world their private issues. By song's end Ray exacts his revenge. The closing number, "No Lawyers in Heaven", has recently been a Bluegrass favorite by a number of Bluegrass groups but Ray recorded it in 2000 and it's never been made available anywhere but here. It's a story about lawyers, of course, as well as political correctness and it's impact on the legal system.
Most of the songs on Ear Candy would make their way onto a 2002 project that I'll write about later in an Extra feature. Since this 2000 release is a studio album I decided to refer to this as studio LP 32. The 2002 CD lifts a lot of the songs from Ear Candy and includes exclusive material as well. We'll talk about this 2002 release in the next installment!
The contemporary habit of talking on cell phones while driving is the subject of "Hang Up and Drive". By now that habit's increased to texting while driving and doing all kinds of other things with cell phones while driving. This song was also turned into a music video experiment. The experiment I refer to was a series of music video productions that featured live action Ray singing in front of limited animation backgrounds. The project kicks off with the Cajun flavored uptempo recording of "Bon Temps Routlette". In this song we hear a wild story of casino inhabitants and a sub-plot centered around adultery and the wealthy. In "The Dog Song" Ray sings a song from a dog's point of view. A couple has broken up and the dog sets the man aside and tells him all the things he should have done to keep the woman there. "King of Christmas" is a comical story of what may happen if Elvis were Santa Claus. One of the songs that uses a lot of satirical nuance is "The Lady on the Radio". In this performance Ray sings about being embarrassed that his wife called in a love advice radio program and told the world their private issues. By song's end Ray exacts his revenge. The closing number, "No Lawyers in Heaven", has recently been a Bluegrass favorite by a number of Bluegrass groups but Ray recorded it in 2000 and it's never been made available anywhere but here. It's a story about lawyers, of course, as well as political correctness and it's impact on the legal system.
Most of the songs on Ear Candy would make their way onto a 2002 project that I'll write about later in an Extra feature. Since this 2000 release is a studio album I decided to refer to this as studio LP 32. The 2002 CD lifts a lot of the songs from Ear Candy and includes exclusive material as well. We'll talk about this 2002 release in the next installment!
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