February 24, 2019

Ray Stevens on Hee Haw: 1980 (Second Appearance)...

As mentioned in the blog entry immediately preceding this one this is my second blog entry of the day...as the day progresses, though, I may write some more blog entries...one never knows. We're suppose to have a massive weather system roll through this area later today and into the evening though and wind gusts could reach 40 to 50mph...and so that could hamper any kind of potential future blog entries for the remainder of today.

Several weekends ago RFD-TV aired Ray's second 1980 appearance on Hee Haw. I had never seen that appearance as I had always been familiar with the first 1980 appearance where he sang "Shriner's Convention" and "Love Me Longer". The reason I had been more familiar with that appearance is because TNN (the former cable channel, The Nashville Network) used to air repeats of Hee Haw in the early to mid 1990s and among those repeats was Ray's first 1980 episode. That episode originally aired in February 1980. In his second 1980 appearance, from October, Ray performed his re-arranged version of "You've Got the Music Inside" as well as his current single at the time, "Night Games". In addition Ray appeared in several comedy segments with George Lindsey which took place in the iconic cornfield set. I created some screen caps for my own collection of Ray Stevens photos that I've saved over the years from online searches, etc. but I won't be posting all of the screen caps from his second 1980 appearance on the blog. I'll share another one a little bit later. The February 1980 episode featured footage taped in the fall of 1979 whereas the October 1980 episode featured footage taped in the summer of 1980. Hee Haw had a quirky production process in which everything was recorded out of sequence during just two month-long production periods each calendar year and all the footage was edited and assembled into 26 half hour episodes. Footage taped during the summer production period appeared in the first 13 episodes of each new season while footage taped in the fall of the year began appearing in the remaining 13 episodes. The series kept this production method intact throughout it's entire history. I often make mention of the show's production style because it enables readers to have a better idea of why a singer may be performing a hit from a previous year or something that had yet become a hit but was performed anyhow...and it all had to do with the taping sessions of the show and which production period the guest was making their appearance.

Now, altogether, Ray made numerous appearances on the television series, Hee Haw, throughout it's long run. His first appearance occurred in 1972 (with a beard ironically enough...not clean-shaven). In fact both of his 1972 appearances shown him with facial hair. He was one of the guests on the 1972-1973 season opener (September 16, 1972) and he performed "Turn Your Radio On" and "Along Came Jones". In his second appearance that season (November 25, 1972) he performed "Isn't It Lonely Together" and "Gitarzan". The footage that appeared in both episodes was taped in the summer of 1972. As you can tell by the songs chosen he kept it in the late '60s for three of the performances with the lone exception being "Turn Your Radio On" which at the time of his appearance in the fall of 1972 was considered one of his recent recordings. It had become a hit on the country charts in the latter half of 1971 and into 1972. I've never found out why he or the producer of the show decided on songs that Ray recorded several years earlier (1968/1969) rather than sticking to more recent material (oddly enough his 1970 massive hit, "Everything is Beautiful", was not performed during either 1972 appearance!) but nevertheless his first two appearances from 1972 were wonderful to see.

The next appearance from Ray occurred in October of 1975 and on this episode he performed "Misty" and "Indian Love Call". The footage was taped in the summer of 1975 and so this was months before he would win a Grammy in the category of Best Arrangement of the Year for "Misty". Ray didn't make another appearance on Hee Haw until the February 1980 episode. The bulk of his appearances on the series arrived in the mid to late 1980s. The show had long featured Roy Clark and Buck Owens billed as co-hosts. Buck, however, decided to leave the series at the end of the 1985-1986 season (the show debuted in 1969). This caused the show's producers to come up with a guest co-host feature in which each week Roy would be joined by a different co-host each week. Ray appeared as a guest co-host throughout the late 1980s and he also appeared on episodes as a music guest without being featured as a guest co-host. In 1987, for example, he appeared on two episodes that aired within several weeks from each other...which was an unusual occurrence for any guest let alone a guest co-host. It's my feeling that Ray was such a natural that he could've easily become the show's official co-host along side Roy Clark following Buck's departure but I don't think the idea of Ray ever becoming a permanent co-host was ever discussed but how amazing would it have been!! Even though Ray had appeared on country music programs throughout the 1970s and several single and album releases entered the country music charts that decade he was still thought of as a pop music vocalist and singer of novelty songs but this perception began to change during the late 1970s and so by the time his 1980 appearance on Hee Haw came along he was being marketed as a country music performer. He was marketed and promoted as a country music artist pretty much exclusively from the late 1970s through the mid 1980s before he began an incredible run with comedy records which forever labeled him as a singer of novelty/comedy songs.

He's had such a lengthy, successful run with comedy songs and albums entirely devoted to comedy throughout the mid 1980s and beyond that the mere mention of him, once upon a time, being a pop music vocalist is often met with laughter from those not familiar with the range of songs Ray had recorded over the decades before he began the country comedy phase of his career for which much of his material over the last several decades has played to. I'd say within the last decade and a half he's released plenty of non-comedy projects and so he never abandoned the ballad/serious side of his career...but as in times past a lot of the consumer attention tends to gravitate toward whatever comical recording might come along from him rather than the non-comical. His television series, CabaRay Nashville, offers Ray the chance to showcase his diverse range of music styles as well as provide a lot of guest artists an outlet to perform and talk. The series also gives certain viewers, those not as familiar with Ray, a chance to see how serious he really is and how he lives and breathes the recording and creating process.

Now, for those that like to take note of whether or not Ray has or doesn't have a beard during an appearance, there are numerous times throughout 1975 where Ray made television appearances with facial hair and then there are appearances that year where he's clean shaven. He's bearded during the Grammy awards telecast (presenting an award along side Moms Mabley) as well as in an appearance on Pop! Goes the Country in 1975. Ray appeared clean-shaven on his Misty studio album but yet he has a beard on a compilation album released the same year (1975) called The Very Best of Ray Stevens. Interestingly Ray performed the same set of songs on both Hee Haw and Pop! Goes the Country. Anyway, here are the two 1975 albums side by side. Ray had a beard on the album cover of Losin' Streak in 1973, let's not forget...so it isn't something that had been unprecedented prior to 1975...but from 1978 onward all of the studio albums features Ray on the album cover with a beard. I don't think Ray's ever appeared clean-shaven in public since 1978. I've sometimes wondered what the reaction would be if Ray would shave off the beard, simply for shock value, given how many decades he's been seen with one. It's still Ray Stevens...with or without facial hair...and I think a lot of people, as strange as it sounds, tend to forget that and would actually think the lack of facial hair would mean a change in personality or performance style or vocalization, etc., etc. It would certainly change his visual appearance obviously but it would still be Ray Stevens. The last studio album released by Ray to feature him clean shaven is 1978's There Is Something on Your Mind.

Ray Stevens Specialty Items...

Hello all once more...this is one of those days where I'll be writing two blog entries about Ray Stevens in the same day...this first one is centering around some limited time items for sale focusing on two of Ray's recordings: "Shriner's Convention" and "Mississippi Squirrel Revival". The items are being sold through an online site HERE. The site is called Tee Spring which I'd never heard of before but the Ray Stevens items being offered for sale on this site are manufactured on demand and they're authorized by Ray and so this isn't some site offering bootleg, unauthorized items. I don't know how long Ray's association with this online company is going to be and so if any of you are interested in seeing the items and ultimately purchasing any of the products being offered for sale then visit the site in the above link. The type of items being sold for a limited time are T-shirts, a coffee mug, and posters. On the product page for clothing, for example, you'll have the opportunity to select the size (obviously!) as well as it's color and for the other items you'll get the chance to pick what color you prefer. The poster for "Mississippi Squirrel Revival", for example, can be purchased with a blue background (my choice!) or with a white or an orange background. The design of the posters mirror what appears on the T-shirts. There isn't a coffee mug for that song, though...only for "Shriner's Convention". As I'm sure a lot of you realize these are the kinds of unique items that will probably one day turn up for sale on other online sites and due to the unique nature of these authorized, yet obscure items, the sellers of these items will probably ask for a hefty price but my advice is take advantage of the reasonably priced items now before they're potentially offered for three or four times the amount elsewhere at some point in the future.

February 17, 2019

Ray Stevens: Feel the Music video clip...

Hello one and all...in this particular blog entry I'm giving some spotlight to an album from Ray Stevens released in 1977. I'm doing so because of a recent video clip that surfaced on YouTube several days ago. I did a couple of blog entries centering around this album in the past...I think the last one I did was a couple of years ago (2017) when the album turned 40 but I'd have to consult the archive section off to the right hand side of the screen. In 1977 another music legend, Marty Robbins, hosted a syndicated television show called The Marty Robbins Spotlight. Ralph Emery was the announcer and each episode would focus on one or a couple of artists. The series consisted of 36 episodes in which Ray was the featured spotlight artist in one but he also had an appearance in the Chet Atkins episode as well. In that episode the two of them perform "Frog Kissing", a single that Ray published, produced, and arranged featuring Chet singing in addition to playing the guitar. The song itself was from the pen of Buddy Kalb. The episodes of Marty's series, based on my own assumption, were taped at some point in the first half of 1977 and perhaps into the summer months before they began airing in the fall and so Ray's album, Feel the Music, was widely available by the time his episode was airing.

The front of the album shows an illustration of a stereo speaker as a tie-in with the album's title. If you literally feel the music then you'll be placing your hand on an actual speaker...but, of course, the song itself has a much more deeper meaning. It's a motivational kind of song which says that you need to find purpose in life and live for yourself rather than living for other people...or, in other words, living a life in which everybody but your own self is happy. "Feel the Music" was issued as a single backed with "Dixie Hummingbird". There was also the usual promotional copy which featured "Feel the Music" on both the A and the B side. Strangely enough "Feel the Music" didn't reach the charts but then it's B-side was released as a single. "Dixie Hummingbird" received the promotional copy treatment but there wasn't a single released featuring it as an A-side. Instead, the record store employees went through and flipped "Feel the Music" over where "Dixie Hummingbird" was seen first by music consumers. The single releases didn't have an A or a B side designation anyhow. "Dixie Hummingbird", an outstanding performance, reached the middle pack of the country music chart...in that particular era the country singles chart matched the pop singles chart...each chart had 100 positions. It came oh so close to cracking the Top-40 of the country music chart. A third single from Feel the Music, "Get Crazy With Me", also reached the charts but it peaked in the lower half of the Top-100. Ironically it's B-side was none other than "Dixie Hummingbird". The back of the 1977 album features an image of Ray and the illustration of what the back of a stereo speaker looks like. The album was largely written by Ray with the exception of the Buddy Kalb composition, "Set the Children Free". The rest of the songs were all penned by Ray Stevens.

Buddy's songs didn't begin to feature prominently on Ray's albums until the mid 1980s onward. The first songwriter credit on a Ray Stevens album for Buddy Kalb was "One and Only You" on 1976's Just for the Record. The inclusion of "Set the Children Free" on 1977's Feel the Music means it's the second composition from Buddy Kalb to appear on one of Ray's albums. "Frog Kissing", the Chet Atkins hit with harmony vocals from Ray, didn't appear on any of Ray's albums but it marked a third Buddy Kalb penned song that Ray recorded in that 1976-1977 time frame.

A clip of Ray performing "Misty" on Marty's show was uploaded nearly a year ago (March 2018) and a couple days ago (February 13) the performance of "Feel the Music" was uploaded. The entire episode has never been uploaded onto YouTube but here's the most recent upload from the 1977 appearance on Marty's program...



Now then, even though the entire episode featuring Ray Stevens as the spotlight artist hasn't been uploaded onto YouTube as of this writing, the entire Chet Atkins episode (with a special guest appearance by Ray) is uploaded onto YouTube. A screen-cap from that appearance is below...


The Chet Atkins episode I'll embed further down the blog entry and the only reason I'm embedding the entire episode is because there isn't a video clip of Ray and Chet's performance from that episode. Ray and Chet would perform the song together several years later, in 1980, as part of an all-star salute to Chet's career. In that performance Ray was seated at the piano and by then had grown his recognizable facial hair...in other words he had become bearded...but the 1980 performance is just as good as the 1977 performance. The earlier performance, in comparison, comes off more lively and a lot of that has to do with the fact that the song was less than a year old when they performed it on Marty's show so by the time 1980 rolled around, with the song now going on four years old, it was still entertaining due to it featuring the novelty aspect of Mister Guitar singing.

Now, getting back to Ray's spotlight episode, I know you're all probably wanting to see the performance of "Misty" as well...and if so you can watch that performance below. In case you never seen this video clip before (it's been on YouTube for a year) it starts out with Ray and Marty in discussion and then there's a brief sketch involving a saxophone player and a violinist in which Ray interrupts with his comically exaggerated Austrian/German accent. I think the violinist is Lisa Silver. Afterward the camera returns to Ray and Marty discussing and laughing over what they just saw and eventually Ray performs "Misty"...



Now, here's the Chet Atkins episode in it's entirety. Ray Stevens makes his appearance 18 minutes into the show (actual time stamp showing 17 minutes, 53 seconds). Ray is introduced as "your average man on the street" (although you can hear the audience laugh and applaud when Ray's face appears on the video screen) but the brief routine continues as "the average man" is asked by Marty what he thinks of Chet being a singer. After some jokes at Chet's expense Marty officially introduces Ray and this leads into the "Frog Kissing" performance...