October 7, 2019

Ray Stevens at Larry's Country Diner: 2019 appearance!

July 2019
Hello once more...and in this blog entry I'm providing something of an overview of the Ray Stevens episode of Larry's Country Diner from a couple of weeks ago. The episode aired on RFD-TV back on September 19th but it was taped in the summer. I came across on-line advertisements for the taping session and it happened on July 24, 2019. I'm quite certain I made mention of the taping in one of my blog entries at the time but I decided to look up the information for accuracy. Larry's television series has aired on the RFD-TV line-up for more than a decade and Ray's made a number of guest appearances on the show. I've had this fan created blog page up and running since 2008 and so it's accurate to say that I've probably given some sort of overview of Ray's appearances on Larry's show over the years. Now, of course, there was a period of time where our local cable company didn't offer RFD-TV as part of the basic line-up but now it's part of that lower priced tier of channels and so for the last 5 years or so we've gotten the channel on our line-up. I say that because no doubt I've not seen all of the episodes he's appeared on in their entirety...some of his past appearances on this show have surfaced on-line and I was able to see those. Larry's show periodically tapes episodes at Ray's CabaRay showroom. The episodes are taped in marathon sessions on Wednesday's for several weeks in a row. I don't know how many episodes of the series have been taped at the CabaRay since it's grand opening in 2018 but I'd say there's at least 30 episodes that have been taped there. The latest taping sessions took place during portions of the summer months this year...and as mentioned above Ray taped an appearance on July 24th. It was the first time Ray had appeared as a guest during it's production at the CabaRay and so, as you could imagine, it was comical/surreal seeing the owner of the showroom seated on stage in front of the backdrop of the diner.

After an introduction by Keith Bilbrey the show begins and Larry speaks of the CabaRay before reading a brief gospel scripture. He points out a champion of archery, which happens to be a child, seated in the audience. Larry, like myself, seen the irony of Ray appearing as a guest at his own showroom and joked about the scenario as he brought Ray out to immediate applause. As a tie in with childhood heroes he asks Ray about Sgt. Preston...then asks Ray if he's ever had a 'real job'. This is a running gag, of sorts, in Ray's career given that he relates in his interviews of how his father used to ask him if he's ever going to get a 'real job' someday. In truth it's a lot of work putting together albums, music videos, television shows...a lot of recording studio hours and now a lot of performance hours at the CabaRay...but if you ask Ray if he sees it as 'work' he'll more than likely reply 'this isn't work...my family's still waiting on me to get a real job'. Larry speaks of Ray's upcoming performance which leads to Ray giving some insight into click tracks and how necessary they are when it comes to the kind of songs he records where there's multi-tracking and how often it is that there isn't enough musicians on hand during television appearances or at county fairs to re-create the sound captured on a modern-day recording which is often pieced together rather than recorded live in a couple of takes in the studio as in 'the old days'. Ray defends the use of click tracks and says there's nothing dishonest about them...because, in his words, "it's MY music I'm singing against...".

Ray sings "The Skies Just Ain't Friendly Anymore", a YouTube video hit from 2011. He had mentioned that it might be the first time he's performed it on television...and that might be true. I know he performed it in concerts and during appearances at the Opry, Fan Fair/CMA Fest, and the video's received hundreds of thousands of unique views on YouTube since it's 2011 debut...but as far as it being performed by Ray on a television show this was probably the first time it's happened. Larry shows the Spirit of '76 CD (from 2011). A commercial for Boot Daddy is inserted into the happenings and upon it's conclusion Larry asks Ray if he's ever met the show's church lady, Nadine. Ray delivers a very shocking reply and says that he and Nadine are on the same wave-length. Following Larry and Nadine's comical banter it leads into Ray's next performance in which he speaks of being a music publisher and how much he loves recording public domain songs because he gets the opportunity to publish them through his own company...such as "Dry Bones". This song was recorded by Ray, initially, for the 2012 Encyclopedia of Recorded Comedy Music. It appears on CD-2 of that 9-CD collection. The song next appeared on the Gospel Collection CD issued in 2014. Ray goes into detail about over-dubbing and multi-tracking which leads Larry into mentioning that one of his favorite songs of Ray's is "Freddie Feelgood" which features a wide array of scat-singing. Ray demonstrates a couple of the vocal impressions of music instruments.

Larry mentions The Nashville Breakfast Club...a group consisting of Ray and other members of the music industry and those that are friends or associates of the entertainers. This sort of round table group gets together each week or whenever schedules aren't conflicted to socialize at a local restaurant. The first time I'd heard of this group was when I read Ray's memoir and he says members have come and gone over the decades...a lot of them passed away...but newer 'members' regularly join in and they all meet for breakfast every Saturday morning. It's my guess that it's a down-home, rural version of the Algonquin Round Table of literary writers and humorists of the 1920s and 1930s which featured the likes of Franklin Paul Adams, Dorothy Parker, Alexander Woollcott, and others. In Ray's memoir he suggests that Chet Atkins was the 'founder' of the Nashville Breakfast Club.

In the meantime the conversation turned to westerns and Ray did his impressions of Gabby Hayes and Walter Brennan. Ray mentions Hopalong Cassidy being his favorite western star. Larry brings out 'Chicken Man', a spokesman for a chicken company sponsoring the show; Chicken Man recites a very fast rendition of lyrics from Ray's 1963 novelty hit, "Speed Ball". Ray's presented with a Hopalong Cassidy lunch box. Ray sings "The Preacher and the Bear" which, like "Dry Bones", appeared on the 2012 box set as well as the 2014 Gospel Collection CD. Larry asks Ray how many albums he's recorded and the reply is the half jokingly "lots!" and Ray mentions to the audience that several of his albums are available in the gift shop. Larry, Ray, and Keith talk about Don Cusic and it leads into the closing performance from Ray of "If Jesus is a Stranger". One of the things to take away from this appearance is the focus on Ray's gospel recordings. The photo of Ray below isn't from his appearance on Larry's Country Diner. I opened the blog entry with a photo of Ray from his appearance on Larry's show just in case you're wondering. The one below is a random photo that began circulating on-line a number of months ago in publicity for the CabaRay.

Ray Stevens 2019
When I was watching the episode it was incredibly surreal because even though it was taped at the CabaRay in July of this year the material being spotlighted came from albums released earlier in the decade (the 2012 and 2014 projects). If not for the fact that it was taped at the CabaRay and if not for the fact that the showroom didn't open it's doors until January 2018 the episode nevertheless came across, to me, as if it was from 2014. Does that kind of reaction sound bizarre? The episode will be repeated later in the year and it should be available for on-line viewing for members of RFD-TV's Country Club subscription service. Once you see the episode for yourselves see if it doesn't come across as if it was taped in 2014...even though it wasn't.

There is something else noticeably absent from the conversations within the episode. There is no mention by Larry, no mention by anybody in Larry's cast, or from Ray himself, about the Country Music Hall of Fame election from March of this year. I had thought that this would have been the main talking point for most of the episode which is why I was baffled by the decision to focus on older recordings instead of promoting recent happenings in his career or promoting upcoming projects in his career. All in all, of course, it's a great episode and it's exposure for Ray's music...and of course since Ray Stevens is the guest star you're going to be royally entertained...even though, personally, I would've liked to have seen discussions of more recent events in his career. We're thirteen days away from Ray's formal induction into the Country Music Hall of Fame!! I'll be adding another installment in my mini-blog series in a couple of hours, perhaps...focusing on 2013, 2014, and maybe 2015 in Part 26. So, yeah, some of the songs and the CD's I've mentioned in this blog entry will resurface in Part 26 of my mini-blog series chronicling Ray's road to the Country Music Hall of Fame.

October 6, 2019

Ray Stevens CabaRay: October concerts...

Hello once again! This past weekend marked the first concerts at the CabaRay for the month of October. In all of my blog entries surrounding the prestigious induction of Ray Stevens later this month into the Country Music Hall of Fame I realized I overlooked providing a blog entry for this month's CabaRay concert schedule. I'd been providing overviews of the upcoming concert dates at the CabaRay just as a public service. There are eight more concerts scheduled to take place this month on the following days: October 11th, October 12th, and then on October 17th, 18th, 19th, 24th, 25th, and 26th. I'm guessing that the concerts scheduled on the 19th and 24th will be heavily geared toward the Hall of Fame. October 20th is the day that the Class of 2019 are formally inducted into the Country Music Hall of Fame but I'm guessing all of the concerts this month will have that anticipation in the air of the induction being right around the corner. This is the LINK providing all the information centering around ticket purchases for CabaRay concerts. Looking ahead there will be 13 concerts scheduled for the month of November as Christmas season gets underway.

Last night during the 8-9pm hour I watched the back to back CabaRay Nashville television shows. The local PBS broadcast at 8pm was the episode guest starring Charlie McCoy...an episode that also featured Lori Stegner as Cinderella Stump. Ray and Lori performed their duet version of "Temp-Tay-Shun", a novelty song from the 1950s by Red Ingle and Jo Stafford. Ray and Lori had recorded it in 2012 for Ray's Encyclopedia of Recorded Comedy Music. The national RFD-TV broadcast at 8:30pm was an episode guest starring Linda Davis. She sang a song originally a hit for Kenny Rogers titled "20 Years Ago"...she played Ray's red piano while one of the song's writers, Mike Noble, played the guitar. Mike happens to be part of Ray's band on the television show. Ray referred to him as "the guy with the blue glasses".

Taping sessions for Larry's Country Diner at the CabaRay wrapped up recently and back on September 19th an episode, taped at the CabaRay, aired on RFD-TV guest starring Ray Stevens. I had known he appeared on an episode but wasn't sure of when it would air. The taping took place during the summer months. I taped the episode and watched it a couple of weeks ago and took notes. I'll be re-watching it just to see if there's anything I missed. Once I re-watch that episode I'll provide an official review of Ray's episode in a future blog entry. In the meantime Ray's been uploading performance video clips onto YouTube and each of the video clips demonstrate the variety of music styles he incorporates into his concerts on a regular basis. I don't know if these video clips were intentionally uploaded to showcase that variety or if it's unintentional...either way it's a perfect display of styles from Ray Stevens...

First up we have his wonderful performance of "Hit the Road, Jack", a classic popularized by one of his music heroes, Ray Charles. This clip from CabaRay Nashville was uploaded on September 23rd.



Next we have Ray's performance of "Spiders and Snakes", a novelty song popularized by Jim Stafford. Ray has often been erroneously given credit for having recorded this song in the 1970s but it was actually Jim Stafford who had the hit with it. Ray eventually recorded the song in 2012, though. The electric guitarist given a lot of camera time in the performance is Jerry Kimbrough. The guy with the blue glasses, Mike Noble, is seen in both video clips playing the acoustic guitar. The steel guitar player is Tommy White. The saxophone player on most episodes is Denis Solee and sometimes there's a second saxophonist, Buddy Skipper. I don't know the names of the other musicians off the top of my head but I know of those ones, in particular, given their camera time on the show. This clip hit YouTube on October 1st.



Ray's take on "East Bound and Down", the classic popularized by Jerry Reed from the Smokey and the Bandit movies...



Going back to the early 1980s we have Ray singing "How Sweet It Is" with Louise Mandrell. He had previously sang a duet with her on a previous appearance on Barbara Mandrell's early 1980s variety show...their take on "With a Little Help From My Friends"...but here they are performing a pop music standard from the 1960s which, ironically, is more well known as a 1970's hit for James Taylor. Ray uploaded this onto YouTube a couple of days ago, October 3rd to be specific...



I usually don't embed music video content unless it's released by Ray but this clip is just too good to not share. On an episode of CabaRay Nashville guest starring Moe Bandy both he and Ray performed a duet of "Just Good Ol' Boys", a classic duet hit originally recorded by Moe Bandy and Joe Stampley...the duo was known as 'Moe and Joe'. I've decided to upload it because it demonstrates Ray performing a classic country style in addition to the styles already represented in the video clips above.



Ray Stevens performs all styles of music regularly at the CabaRay and in the episodes of CabaRay Nashville. A one-of-a-kind performer.

Ray Stevens: The Road to the Country Music Hall of Fame, Part Twenty-Five...

Hello all...we're still in 2010 as I begin this installment of the mini-blog series. This was a year filled with so much activity it's near impossible to recount everything that was happening as Ray's political comedy videos were taking him all over the place. On tax day as it's called (April 15th) he appeared at a large Tea Party event organized by Freedomworks. The event lasted all day but Ray was part of the evening line-up and performed "If Ten Percent is Good Enough for Jesus". This particular song received new life, as the saying goes, during this political era of his music career. The song had previously been recorded by Ray nearly 20 years earlier in 1993...and it was a fan favorite then but in 2010 it took on whole new life thanks to it's exposure at Tea Party events such as the one Freedomworks organized in 2010. The song was part of the 22 track We The People album released that year. It reached the Billboard Country Album chart...his first album to appear on this chart since 2002's Osama Yo' Mama. The album also appeared on the Billboard Top Comedy Album chart...a secondary chart that, as you could imagine, ranks comical releases. It hit the Top-5 on this chart. The driving force behind the successful YouTube music videos were the public, in general, viewing them and sharing them on social media sites. A unique view is best described as the first viewing of a video from a computer, smart phone, or any other kind of on-line device. The tracking used to total the number of unique views for a YouTube video doesn't count additional views from the same device. The reason for that is obvious...multiple plays from the same on-line device would no doubt skew the numbers...and so the policy of counting one view per device keeps things on the level and doesn't allow for artificial view counts.

The music video that broke through and pushed Ray's visibility into the on-line stratosphere (if there's even such a place) is "Come to the U.S.A.". On the surface the song may cause a listener to think that Ray is inviting an onslaught of illegal immigrants to set their sights on the United States but in truth the song uses sarcasm and points out how illegal immigration is dealt with in other countries whereas the United States Federal Government more or less knows about the situation but often turns their collective eye away. A lot of the reason is for labor reasons. Cheap labor...performing jobs that the average U.S. citizen wouldn't do for minimum wage or less...can be given to desperate illegal immigrants. It's exploitation, of course, but there's so many other things tied into it that it would take more blog entries to explain it all. If you're wanting a more detailed look at this music video and the subject matter visit the archives of this blog...go to the year 2010 and look for blog entries focused on "Come to the U.S.A." and you'll get my commentary and information from that time period. The video itself has obtained more than 10,000,000 unique views since it debuted on YouTube back in May of 2010. Along the same lines of cheap labor...but this time around focusing on America's jobs being sent to Mexico...is "Sucking Sound". This song had previously appeared on the non-political Hurricane CD but it's an example of one of those songs from Ray that, from time to time, takes on a topical subject matter and placed on a collection of lighthearted comedy songs. Ray does his vocal impression of Ross Perot in this recording...a song that he co-wrote with Buddy Kalb...and it's a perfect fit on the 2010 We The People album. Some of the songs on that album originally appeared on the Thank You album from the early 2000s: "Let's Roll", "Stand Up", and of course "Thank You".

Since we're in a topical vein and Ray's career had taken a political/topical/patriotic turn do you all remember the lawsuit filed against the Arizona State Government by the Federal Government? This surreal event in U.S. History began brewing in the latter half of 2009 and it reached a boiling point in 2010. The Governor of Arizona, Jan Brewer, and several local police officers were stopping suspected illegals at the Arizona border. The Obama Administration stepped in and the Attorney General at the time, Eric Holder, filed lawsuits preventing the Arizona State Government from enforcing existing immigration laws. This entire controversy turned up in a very serious recording from Ray titled "God Save Arizona" which he co-wrote with Buddy Kalb. The music video, believe it or not, created some controversy with YouTube. It was uploaded in August of 2010 but was taken down without warning several days after it made it's debut...but it eventually returned to the video hosting site and has remained on-line ever since. If I recall correctly the video had fell victim to a lot of troll-induced flagging from those that didn't like the opinions expressed in the song and, as a precaution, YouTube took the video down for their own 'investigation' and they felt that it didn't violate any of their 'rules' and it returned to the video hosting site. The video, like all of Ray's previous politically themed videos, was an immediate social-media hit and in September the video was given exposure on an episode of Bill O'Reilly's television series on Fox News Channel.

In the winter of 2010 publicity eventually surfaced surrounding Ray's Christmas CD from 2009. The project had gotten overlooked due to the enormous launch of "We The People" on the internet and everything else that came along in 2010. The holiday album, as mentioned in my previous blog entry, features serious Christmas songs...most of them done with new arrangements...while some remain faithful to the traditional arrangements. In this collection you'll get Ray's versions of "Let It Snow, Let It Snow, Let It Snow", "Jingle Bells", "Winter Wonderland", an original titled "Deck The Halls with Teardrops", plus his take on "Have Yourself a Merry Little Christmas" plus more. In November 2010 onto YouTube arrived the music video of "Nightmare Before Christmas" from his comical Christmas album thirteen years earlier.

The political overtones in his career remained intact in 2011 as he was one of the guests at CPAC in February. The acronym stands for Conservative Political Action Conference. He performed a couple of songs during his CPAC segment: "Mr. President, Mr. President" and "The Skies Just Ain't Friendly Anymore". The latter deals with the security measures in place from the TSA while the former features Ray as a reporter asking Obama a series of questions with predictably humorous answers. A couple of months later a brand new video emerged, "Obama Budget Plan", in April. This song/video was centered around the Federal Government's spending habits...debt and deficit were some of the topics headlining nationally and this song told the story of a married couple that decide to print their own money, spend more and more, but have no care or concern because they can simply print more money just like the Federal Government does. The video has a twist ending...visually...evoking sentiments that I'm sure are held by many when it comes to their wishes for many members of Congress.

2011
The music video for "Mr. President, Mr. President", the song he debuted at his CPAC appearance in February, hit YouTube in September 2011. The music video uses images of Obama during a press conference, making it appear as if he's listening to the questions being asked by Ray, whose dressed in traditional newspaper journalist attire...with pen in hand...it's a very funny song and video but the critics were plenty. Some criticized the old-fashioned look of how Ray portrayed the reporter...taking swipes at Ray for not being 'current' and having the reporter wireless or sporting some sort of technological device...rather than appearing as if he's from the 1940s or 1950s. The politically charged critics, of course, criticized the song simply on the grounds of it putting Obama in a humorous light. This run of political and topical music videos ultimately led to the release of Spirit of '76, an 11 track album, which features the audio recordings of several songs previously released in music video format on YouTube: "God Save Arizona", "The Skies Just Ain't Friendly Anymore", "Obama Budget Plan", and a couple of songs that would eventually become music videos after the release of the CD: "Mr. President, Mr. President" and more than a year later, "Grandpa Voted Democrat". There are several other songs on the 2011 album that I thought would have been perfect for music video adaptation: "Cap'n Trade the Pirate" is hysterical and it could have easily played into the imagery depicted in the music video for "The Pirate Song" more than a decade earlier. I always envisioned "New Normal" as a music video presented on intentionally grainy film and given a classic country music 'look'...the way Ray sings the title phrase had me thinking of Hank Williams and in my mind I invented a possible direction of staging a music video and have it look as if it's from the 1950s. The We The People album from 2010 featured a couple of songs that I think could have been turned into funny music videos but weren't: "Solar Powered Song" and "We Are the Government".

Clyde Records, in November 2011, issued the DVD collection Internet Video Hits. This release was designed to provide a collection for the music videos that Ray had issued on the internet over the last year and a half. Ray, when speaking of the release, mentioned that it's been issued mainly for those that are older and perhaps do not have any interest of being on the internet but are fans of his nevertheless...and so this DVD would provide the non-internet fan base the chance of seeing the on-line music videos in one collection. The DVD seen a wider release in February of 2012. The DVD features 9 political music videos with a bonus music video dealing with political correctness, "The Nightmare Before Christmas", added to round out the total.

Throughout most of Ray's television appearances on cable news programs and on talk-radio in the aftermath of "We The People" he often mentioned a project he was working on in which he would pay tribute to novelty songs of all time periods and music formats. The project surfaced in February of 2012 as The Encyclopedia of Recorded Comedy Music. The project took two years, according to Ray's interviews as well as the on-line YouTube advertisements, and it's a massive collection of songs. It's a 9-CD box set complete with an extensive booklet with liner notes, commentary, and stories behind the songs Ray chose to record for the collection. When the project was still in production there were some fans that thought Ray would be presenting a collection of novelty songs recorded by other artists...they didn't realize that Ray himself would be performing the songs. So, in this 9-CD collection, we have Ray's versions of novelty classics such as "Does Your Chewing Gum Lose it's Flavor on the Bedpost Overnight?", "Little Brown Jug", "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini", "Three Little Fishes", "Open the Door, Richard", "Mairzy Doats", "Haunted House", "Poison Ivy", "Chug-a-Lug", and dozens of others. Ray actively promoted the 9-CD project and performed songs from the collection on several television programs. The collection featured songs from his own career, too, given that Ray is one of the legendary performers of novelty/comedy songs. Ray's cover of a Toby Keith single, "I Wanna Talk About Me", is on this 9-CD collection. Ray remarked that it comes across as a novelty song to him and so he decided to do his version of the song for this collection.

In the midst of the publicity for the 9-CD box set, though, came a book from Ray titled Let's Get Political. The book features lyrics for the songs found in We The People and Spirit of '76 as well as his remarks and opinions of all the songs and his thoughts surrounding topical issues of the day. It was sold through his website's store. It's a soft-cover book and in digest form...meaning that it's comparable in size to an issue of Farmer's Almanac, for example. In July 2012 a music video for "Obama Nation", a song from Ray's 2010 We The People album, hit YouTube.

In November 2012 "Grandpa Voted Democrat" from 2011's Spirit of '76 hit YouTube. The song deals with voter fraud...a very real concern in any election but it was one of the headlining concerns of the American voting process in a series of recent election cycles both local and national. Now, as history shows, Obama won re-election in November 2012 but the Republicans gained even more control in Congress and the Senate...it built on that party's momentum from 2010.

In my previous installment I made mention of the six week run of concerts Ray performed at The Welk Resort in Branson, Missouri during the fall months of 2010 at the peak of his involvement with political humor. The concerts were split in two segments: The first segment was his traditional concert performance featuring his classic hits like "The Streak", "It's Me Again, Margaret", "Gitarzan", and others while the second segment was political. Some of his performances at this run of concerts eventually found their way onto DVD. Ray issued Such a Night: 50 Years of Hits and Hilarity on Stage...LIVE! as well as a secondary DVD called Patriots and Politics. The DVDs were released on Clyde Records in 2012 but the concert footage was taped in October 2010. I had never seen Ray perform any of the politically themed songs in concert and so the secondary DVD was my chance of seeing him perform "We The People" and "Come to the U.S.A." in a concert setting. I had seen him perform "Safe at Home", though, and "Thank You", in concert. The former is actually nostalgia-laced without a trace of politics at all but it speaks to America's core values and therefore it's categorized as a patriotic song. It had actually originated in 2000 on a studio album Ray issued that year called Ear Candy...but it had long since become part of his concert set-list and ever since 2010 it's been something of a mainstay in his concert performances given the response from the audiences. Ray closed out 2012 in a festive mood...releasing several Christmas music videos on YouTube. "White Christmas" is performed much in the same manner as The Drifters, one of Ray's favorite Rhythm and Blues groups. "Redneck Christmas", at long last, is presented in music video form...even though it's lyrics paint a clear picture already it's fun to actually see a music video of that particular song brought to life. "Blue Christmas" is performed as Porky Pig...which is based on a novelty song from a number of years earlier from a fictional group called Seymour Swine and the Squealers. Ray performs most of the song in a stuttering, stammering fashion before concluding the song straight. The song was issued as a single in 2012 as it's not part of his 1997 or 2009 Christmas albums but it was also made into a music video. A social commentary release titled "Merry Christmas" hit YouTube in December 2012 as well. This, from the pen of Ray Stevens, takes on the politically correct advocates head on and their War on Christmas. Ray proudly voices his right to say 'Merry Christmas' rather than Happy Holidays or Season's Greetings. This was the fourth Christmas music video in the bonanza of music videos that Ray issued in December of 2012 and it was the most somber of the bunch...which goes without saying.

Now, let's see...2010, 2011, and 2012...my oh my how hectic and full of surprises those years provided for Ray Stevens on his road to the Country Music Hall of Fame. In a career laced with unpredictability those three years were about as unpredictable as you could get...his career was as eclectic as ever...being stretched in many different directions and having his hands in several more projects yet to see release as 2012 came to a close. In my next installment I'll take a look at 2013 and 2014...maybe also part of 2015. Ray's main focal point in this era, post-political humor, was a return to more conventional, traditional forms of music expression...but he didn't completely silence himself on matters of politics though...and he issued a much anticipated (from this fan's point of view) career look-back in print form...not necessarily an autobiography...more of a memoir...and more about that in my next installment in Ray Stevens road to the Country Music Hall of Fame!