Showing posts with label mellow country. Show all posts
Showing posts with label mellow country. Show all posts

February 19, 2023

Ray Stevens: The RCA Single Releases

Hello fans of Ray Stevens!! Whenever I'd go and look through some of my statistics for this blog I'm always seeing several visits to a blog entry I wrote quite awhile ago focusing on the Barnaby Records single releases on Ray Stevens. It got me thinking...and I've written so many blog entries over the last 10 or so years...that perhaps it's time to re-visit that type of blog entry and focus on the Ray's RCA Records single releases. Ray was officially on the RCA roster for four years (1979-1983). In that time period the record company issued three studio albums, a Greatest Hits album, and six single releases from Ray Stevens. His greatest commercial hit happened to be his debut for the label, "Shriner's Convention", which hit early in 1980. This is a song that had been tested out beforehand in concert and in a couple of television appearances in the latter half of 1979. The single would become a Top-10 Country hit as would the album of the same name. The album peaked within the Top-5 on the Country Albums chart. Ray's tenure at RCA was short but the music he recorded while at the label was fabulous in my opinion. Ray's RCA catalog has never been properly kept readily available in the online digital age beyond a few recordings. Non-fans would say it's because there's a lack of 'hit songs' during that time period (an untrue statement, by the way) but Ray Stevens fans, like myself, will argue and say it's because the record company has no interest in releasing his studio albums to the digital market...and, IF that's really true, it's a shame. If it's NOT true then I'd like to hear an official explanation as to why his RCA recordings aren't widely available in a digital format.

1980: Shriner's Convention / You're Never Goin' To Tampa With Me

1980: Hey There / You're Never Goin' To Tampa With Me (released in Canada and overseas)

1980: Night Games / Let's Do It Right This Time

1981: One More Last Chance / I Believe You Love Me

1982: Written Down In My Heart / Country Boy, Country Club Girl

1982: Where The Sun Don't Shine / Why Don't We Go Somewhere and Love

The three studio albums Ray recorded for RCA are titled: Shriner's Convention (1980), One More Last Chance (1981), and Don't Laugh Now (1982). When RCA released a Greatest Hits album on Ray in 1983 they only included two RCA tracks. They should have featured five or all six of the A-side single releases and a few older tracks. However, a few years later, RCA issued several albums called Collector's Series. The series focused on past and present RCA recording artists. Ray's collection arrived in 1985 and then it got re-released in 1987. It was an album of 8 songs and they were all from his RCA years. Yes, a skimpy collection, but nevertheless it was an introduction to his RCA years for a lot of his younger fans who discovered Ray in the mid to late 1980s. Believe it or not Collector's Series remains the only official overview of Ray's RCA years. Unless you have the studio albums in vinyl or cassette format the Collector's Series remains the most widely released overview of his early 1980's music.  

July 5, 2021

Ray Stevens sings some of those soothing, mellow ballads...

Earlier in the year I wrote a blog entry about a 1976 Ray Stevens album reaching 45 this year. That album, Just for the Record, is a wonderful collection of songs and it was the first of several studio albums Ray recorded for Warner Brothers. I periodically return to the Ray Stevens recordings of the late 1970s...I just have this attachment to them...it can't be explained beyond my saying that I love those recordings! Maybe I love them because they're over-looked and under-appreciated? Maybe I love the sound of those recordings and perhaps because those records sound so different than what he was doing at Barnaby Records during the first half of the decade and what he would eventually do at RCA Records at the start of the 1980s...because the Warner Brothers sound is so different from what came before and after his years spent there maybe that's why I have this intense love for those songs. See, I told you it's hard to explain my attachment to those songs!!


"You Are So Beautiful" was Ray's debut single for Warner Brothers in 1976...and as you can see from that 1979 television appearance on Pop! Goes the Country he enjoyed performing it for the fans. Ray followed it up with "Honky Tonk Waltz"...a clever song blending country music within the framework of a waltz. The song takes place inside a bar room. There's a video performance of Ray from 1977 singing the song on an episode of  Pop! Goes the Country...but I'm going to embed the audio track...


A lot of the recordings Ray Stevens did for Warner Brothers were spotlighted in 1995 on a set of three CD's: Cornball, Do You Wanna Dance?, and The Serious Side of Ray Stevens. YouTube has the audio tracks from the second two compilation albums but for whatever reason there weren't any official uploads of the songs featured on the Cornball release. Some wonderful recordings from Ray of "Your Cash Ain't Nothin' but Trash", "One Mint Julep", "Cornball", "Once in Awhile", and "Money Honey" are on that compilation. I came across an audio of "Money Honey" just recently but I've not posted it in any blog entry yet. I've been waiting to see if it'll stay online...and so far it's remained on YouTube. Instead of posting a YouTube embed of the audio track I'll post this "Money Honey" LINK

If anyone comes across this blog entry at some future date and they click the link and it takes you to a blank screen then you'll know why I decided not to embed the YouTube screen.  

I thought the title of this blog entry was to focus on Ray Stevens songs that are mellow, smooth, and calm...the songs I've opened the blog entry with are anything but mellow, soothing, or calm...especially the heavy drum beats and all out showmanship heard on "Money Honey". That recording featured only five musicians...in fact, the entire 1978 There is Something On Your Mind album from which "Money Honey" originates, it only featured five musicians total! The musicians heard on "Money Honey" were Ray Stevens (keyboard, synthesizer, percussion), Mark Casstevens (acoustic guitar), Reggie Young (electric guitar), Jack Williams (bass), and pounding away on the drums on that recording was Jerry Kroon. This line-up of musicians was also heard in the recording of "Old Faithful Trilogy". The 1978 album has 8 songs...on 6 of those recordings Johnny Christopher played acoustic guitar while Jerry Carrigan played drums. I'm sure the two of them were unavailable the day "Money Honey" and "Old Faithful Trilogy" were recorded.  

Yes, after getting things started with some up-tempo songs we're heading into mellow lane now...take a listen to this soothing ballad from Ray Stevens titled "Two Wrongs Don't Make a Right"...you're gonna love the sound and the way in which Ray sings the lyrics...


Staying with that same 1995 compilation album we have the 1976 inspirational ballad, "One and Only You", from the pen of Buddy Kalb. This is significant...it marked the first time Ray recorded a song written by Buddy Kalb...a writer who would go on to dominate a lot of Ray's albums beginning in the mid to late '80s. 


Ray's Warner Brothers era also contains these ballads: "L'amour", "Blues Love Affair", "Road Widow", "You're Magic", "With a Smile", and "Daydream Romance". Here's a bluesy, mid-tempo offering from Ray titled "Blues Love Affair"...from his 1977 Feel the Music album...


Although I love the recordings Ray Stevens did in the late 1970s and I've shared several in this blog entry...historians/critics only focus on novelty songs when it comes to Ray Stevens...and because of that his Warner Brothers time period is often referenced with two novelty recordings: 1976's chicken clucked "In the Mood", released as The Henhouse Five Plus Too, and 1979's "I Need Your Help, Barry Manilow"...and all of the serious recordings he did for the company get ignored time and time again...but yet that's one of the reasons why this blog exists...to spotlight what historians and essayists, alike, choose to ignore. "Daydream Romance"...that one is so mellow you'll feel as if you're off in a dream world...take in the relaxed, tranquil music...this is the perfect audio track to conclude this blog entry with!

January 29, 2013

Ray Stevens, You're Magic...a look at song publishing...

One of the things about the late '70s period in the career of Ray Stevens is just how mellow and laid back his vocalizations mostly were. Look no further than 1978's "You're Magic" from the album, Be Your Own Best Friend. In a lighter than air vocal performance, Ray delivers the correct vocal accompaniment. Obviously, after hearing the song as many times as I have, I couldn't imagine it performed any other way. The writer of the song is Layng Martine, Jr., a songwriter-singer whose supplied Ray with other songs...the most notable being Ray's 1974 Top-20 Easy-Listening hit, "Everybody Needs a Rainbow", which also hit the Country Top-40. Layng worked as a writer for Ray's publishing company for a number of years and for a period of time Ray was the producer/arranger/publisher of Layng's own recordings on Barnaby Records.

Ray's publishing company reaped the benefits of "Rub It In", a song that Layng wrote and released as a single in the early '70s. The much more widely known version, by Billy 'Crash' Craddock, hit #1. The publisher of a song typically remains the same no matter who records it and yes, before you can ask, on the single from Craddock, in the upper left hand portion of the label it reads Publisher: Ahab Music Co., Inc. (BMI). Ray recorded "Rub It In", too, but much later, in 2008! Ray was also the publisher of "Way Down", another composition from Layng, in which Elvis hit with in 1977. On the RCA single of "Way Down", on the lower left hand side of the label underneath the vocal accompaniment credits, it reads Ray Stevens Music, BMI. Sammy Kershaw singles "Cadillac Style" and "I Can't Reach Her Anymore" were also published by Ray's company. But speaking of the late '70s... 

One of the things that I happen to love about the episodes of Pop! Goes the Country that have made it to DVD is it mostly spotlights the woefully obscure late '70s period of Ray's career. The Ray Stevens music from the late '70s is worthy of more attention than it often gets. Now, picking up on what I briefly mentioned in my previous blog entry, Ray Stevens made quite a few guest appearances on Pop! Goes the Country. I've spotlighted the DVD collections that are available from Classic Country DVD and provided links. In late February/early March 2010 I wrote several blog entries about the DVDs that I ordered from the company. Search the archives located on the right hand side of the page if interested in reading my commentary at the time. Given that Ray Stevens appeared on quite a few episodes it's remained baffling, at least to me, why only 5 of his episodes have been spotlighted on a collection that has 24 volumes (as of now). I'm sure Ray isn't the only artist that isn't heavily represented but since this is a Ray Stevens fan-created blog page he's the artist I'm focusing on. I'm grateful for the episodes that have been featured on the DVDs but hopefully my commentary is seen as a hint that I'd love to see more and more of the Ray Stevens episodes surface on DVD in the near future.

I don't have any information on which artists appeared on every single episode but I'll guess and say that Ray Stevens is one of those artists that easily made at least 15 appearances over the course of the program's 7 and a half year run (September 1974- January 1982). The series was syndicated and it aired on the weekends, typically in the late afternoon, in many television markets. This program, along with Hee Haw, Nashville on the Road, and The Porter Wagoner Show, is responsible for expanding the national coverage of country music at a time when country music's exposure was confined mostly to the southern states and a few outlets in the Midwest and Texas. I'm speaking of both television coverage and radio programming. Country music radio in the '70s was relegated to a couple hundred scattered throughout those same geographical locales. Compare a couple hundred to more than a thousand country radio stations today...all over the United States...instead of in just a handful of states.